Sunday, April 21, 2013
Friday, April 19, 2013
Signs of Spring (2)
Posted by T-Bird at 9:57 PM 3 comments
Labels: Seasons
Signs of Spring (3)
Rhododendron "Vibrant Violet"
Rhododendron "Gletschernacht"
Now the early mid season small leafed violets are opening up. These two have different species in their linage but open up around the same time. Both are a lovely violent color.
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Posted by T-Bird at 9:54 PM 2 comments
Labels: Seasons
Saturday Night Soup (39)
When your mother sends back all your invitations
And your father to your sister he explains That you’re tired of yourself and all of your creations Won’t you come see me, Queen Jane?
Won’t you come see me, Queen Jane?
Now when all of the flower ladies want back what they have lent you And the smell of their roses does not remain And all of your children start to resent you Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?. (Queen Jane Approximately)
There are many phases to a project. From inception, you have scope definition and cost/benefit analysis. If the project gets launch authorization, you must define the succinct phases of the project and deliverables of each phase, timelines, staffing, determine what the metrics shall be to measure progress, so forth and so on. Then cometh the execution of the plan, with all the unanticipated pot holes, tears, breakdowns, screaming matches, personality incompatibilities, intrigues, and hopefully despite all this, success.
“The lamps are going out all over Earth; we shall not see them lit again in our lifetime.” From an email I received this week.
The above description of the process of managing a project is all a gross simplification of course. But it is superficially accurate.
Now when all the clowns that you have commissioned Have died in battle or in vain And you’re sick of all this repetition Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
When all of your advisers heave their plastic
At your feet to convince you of your pain Trying to prove that your conclusions should be more drastic Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
(Queen Jane Approximately)
There is one often overlooked phase of a project that should conclude a project (but is often overlooked): the project post mortem. This is where you dissect the past: what worked and did not work; what went to plan and ran off the tracks becoming a major train wreck, so forth and so on. Why do you do this? It should be self evident.
There is a proper way to conduct the project autopsy. Never, ever let the process descend into organizational name calling, finger pointing, and playing out the “He did this” and “She did this” blame game. That is never productive, and fractures inter departmental relationships, ensuring that the organization will never be successful in executing future large scope projects. One of the ways I have found that you can prevent such rear view mirror chaotic bickering is to stand up in front of everyone and become the face of whatever failures occurred in the past. Do this at the beginning of the post mortem. Do this with humor. Own the projects failures. You will find that once you set such an atmosphere, the players will feel safe with being objective and open about the things they did wrong in the concluded project. This then allows the all important objective of this process to occur: determine what changes could have been made to the past to prevent the failures. And of course, this helps you to better plan the next project, and to avoid making the same mistakes. Now when all the bandits that you turned your other cheek to All lay down their bandanas and complain And you want somebody you don’t have to speak to Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane? (Queen Jane Approximately) As a work collogue reminds me “We won’t repeat the same mistakes; we will make new ones!”.
I have written about the “professional career” compartment of one’s life. This same concept equally applies to ones private life.
I’m leavin’ today ,I’ll be on my way Of this I can’t say very much. But if you want me to, I can be just like you An’ pretend that we never have touched. An’ if anybody asks me, “Is it easy to forget?” I’ll say, “It’s easily done, You just pick anyone, An’ pretend that you never have met!” (I Don't Believe You)
I have spent much of the past year and a half, up to and including the week just passed, in a state of reflective post mortem. Yesterday I dug up and disposed of several corpses buried on this blog (i.e. deleted some posts). I buried a couple of fresh corpses in blog where they are unlikely to be found (one was found within 14 hours by a bizarre Google search – I had bet someone that it would take three weeks for this to occur – I lose).
And I dug up one particular tombstone topped corpse, clamped on the jumper cables to the bolts protruding from the sides of the corpse’s neck, and set the timer to “fully resurrect”. I have yet to test the result of this process for success (or lack of).
If all of this sounds dodgy and intentionally illusive, that was my intention. Here is my last bowl of soup for a while. Have all you want. There is enough for all of you, and for all of your friends. As usual, there is a subtext to the music that those of you who are perceptive will understand. There is always much, much, much more to the soup than meets the ears. Such is life. The recipe includes:
1. I Don't Believe You Bobby Dylan, introducing this song at his Halloween, 1964 show at New York's Philharmonic Hall (this bit begins this week’s soup) said, "This is about all the people that say they've never seen you...”. He then says “Hi” to someone in the audience, and tells the audience “and I never saw him”.
The song comes from Dylan’s pivotal 1964 LP Another Side of Bob Dylan. Having been placed onto the chrome plated pedestal of fame, been anointed as the poster child of American folk music, protest music, and declared to be the voice of the social consciousness of America, Dylan did what any other self respecting artist would do: find a way to escape at any price. During this period of his life, the four headed monster otherwise known as The Beatles invaded Dylan’s New York, and from this beachhead stormed America’s culture with their unique high electrified musical shock and awe. Furthermore, he took the wonder-drug LSD.
Dylan’s music changed – radically – though few at the time really understood what was afoot. Gone were the signature movement anthems which had initially made him famous. Replacing them were songs of a deeply personal nature, nuanced, absurd and bizarre at times, dark and passionate at other times, and always intense in their simplicity. And ideas and change were now exploding out of his subconscious at an accelerating brake neck pace.
The self-anointed over-inflated windbags of the folk movement denounced Dylan for straying from the orthodoxy of folk with this LP. The Halloween performance, of which I have included but a snippet of dialog catches him as a blur in rapid transition, sounding stoned, and introducing one yet unrecorded new song after another to an audience that was unable to grasp what they were witnessing before them. After this LP, Dylan would go electric and record three LP’s that rank among the greatest achievements of popular music in the entire 20th century.
2. Queen Jane Approximately comes from Dylan’s fantastic full tilt Highway 61 Revisited LP. Released in August 1965, it remains one of the greatest LP’s of all time. For the recording sessions, he assembled a high caliber group of electric blues musicians. What they created was unlike anything ever record and to this day sounds amazingly fresh and unique.
Well, he is prophesying to one specific person about things to come in his/her life using incredible and surrealistic allusions to predicted future events. And he appears to be telling him/her (Dylan once said that Queen Jane was a man) that they will one day reach that do or die point of desperation in their life, that he (Dylan) will be there waiting to hear from them, and be receptive to them.
All of this makes it's way into this week's soup. You can get your bowl of Saturday Night Soul for the Soul by clicking the jukebox.
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Posted by T-Bird at 9:00 PM 0 comments
Labels: Saturday Nite Soup for the Soul
Thursday, April 18, 2013
"Day of the Fish"
I enjoyed painting my last Dia de los Muertos/Day of the Dead painting so much that I decided to paint another one. This will be the last Muertos painting until it’s more seasonally appropriate (autumn).
“Day of the Fish
”24” x 30” Acrylic on Canvas A Pisces, Tony |
Posted by T-Bird at 2:18 PM 0 comments
Labels: 2010-Q1 Tony de Carlo
Monday, April 15, 2013
"Isidro's Plants"
Posted by T-Bird at 11:19 PM 0 comments
Labels: 2007-Q1 Tony de Carlo
Signs of Spring (17-24)
Posted by T-Bird at 12:18 AM 3 comments
Labels: Seasons
Sunday, April 14, 2013
"Chai the Thai"
Posted by T-Bird at 8:00 PM 0 comments
Labels: Certified Gay, Road Trip Diary
Saturday Night Soup for the Soul (61)
nother recent series of dreams. Dream One I dreamt that I was a woman. I was walking in a Roman era winding maze. The walls were about 10 feet high and made of beautiful classically Roman stones with Roman decorative touches. The floor was roman mosaic. It was out of doors – there was no ceiling. The bright blue sky and clouds were visible above. It was very pleasantly warm. It was here I discovered that I had transformed into a woman. And I determined that I was exquisitely beautiful. I gasped at the realization that I was a total knock-out with long dark brown black hair. I was wearing sandals and wrapped in a towel. It seems I was in some sort of coed Olympic sports training facility for prized athletics. I came upon the “lesbians” locker room. Immediately a bunch of diesel dykes - sort of garish looking mannish women began closing in on me and pawing on me. Experiencing the pack of mannish women all pawing on me at once, I thought “Ohmygod, so this is how creepy it feels to have people all pawing on you. Not pleasing as an experience. I was not a lesbian, and sort of excused myself by thanking them for the "flattering attention", but telling them that I was not into woman on woman sex. I continued and reached the coed locker room. The men all stopped what they were doing, turned, and took one look at me. At once their jaws dropped as they gazed in silence at my beauty. But they seemed so awestruck that they all were scared to approach such a beautiful woman thinking they would get rejected by me. I thought “Oh my god, so it IS true that a ravishingly beautiful woman cannot get a date”. The scene then shifted to the vast and endless steppes and mint green spring grasslands of Mongolia. I am now a warrior queen (the same one as before though) riding a sturdy Mongol horse in the company of Genghis Khan who is teaching me to shoot while I ride. We ride, free and wild. Dream Two
he second dream finds me kissing an exquisitely and breathtakingly goddess like deity of a woman. Being that I am 100% a gay male, this at first glance seems to be an odd dream. The feeling I had while kissing her was the most powerful and all exhilarating feeling imaginable. As if my soul were being propelled through all time and space with pure love and joy radiating within and around every cell of my inner and outer being. It was like falling up into heaven. It was being joined to the celestial whole of all that has even been in this incarnation of the universe.
Shattered dreams, worthless years,
Here am I encased inside a hollow shell, Life began, then was done, Now I stare into a cold and empty well
The many sounds that meet our ears
the sights our eyes behold, Will open up our merging hearts, And feed our empty souls
I believe when I fall in love with you it will be forever,
I believe when I fall in love this time it will be forever
Dreams Three, Four and Five
Again, I am with this same goddess portrayed in the above dreams, but in very ordinary situations and conversations. In one it is me who is now counseling her about some decision she needs to make, helping her to evaluate the different things she should consider and weigh to arrive at the best decision. In one of the dreams I recognize that she looks exactly like Gwyneth Paltrow (whose free spirited intelligence and personality I find MOST attractive). What do these dreams mean?
Simple explanations are easy to come to, and most likely wrong. Here is my take(s) on the recent series of connected dreams.
I am a huge proponent of Carl Jung's theory of the human psyche and of the human soul. I find him deeply spiritual in ways that resonate with me. He theorized that within each male (and it works in a similar manner for females) there is an inner subconscious part of the whole which is an inner personality of the opposite sex (the "anima" for males and the "animus" for females).
It is were one's opposite sex traits collect and from the unconscious influence our behavior for better or for worse, depending on what is held there. It often appears in dreams - they mystery woman in a man's dream.
There are four stages of development of the anima from primitive to a state of full wisdom. Mine has now, finally reached enlightened wisdom and is now fully integrated with my conscious self (that was the kiss).
But on a different level, sort of my Proto-Buddhist view of the eternal soul which exists across time and space as serial incarnations, this is a classic Buddhist cosmology series of dreams, too. Yes, I was in Roman times as a female gladiator. Yes, I road and fought as a warrior queen with Khan across the steppes of Central Asia driving ever westward. I was born with innate instinctual memories and familiar recognition of music, art of Central Asia from the first time I head it in this life. It was familiar to me inner ear. So I do believe that this is a parallel meaning and sub context for the dream.
All my life I have thought that I will marry late in life. Now, suddenly that time has come with this series of dreams. So this week’s soup consists of one song, which is one of the most precious love songs ever recorded.
God surely answered my prayer,
God surely answered by prayer, You know God surely answered my prayer, You know God surely answered my prayer, God always will answer your prayers, Believe in one who will answer my prayer, Thank you God
Come on, let's fall in love,
You're the woman I've been waiting for, Come on, let's fall in love, You're the girl that I really adore, Come on, let's fall in love... All of this makes it's way into this week's soup. You can get your big ass bowl of Saturday Night Soup for the Soul by clicking the jukebox. |
Posted by T-Bird at 10:43 AM 0 comments
Labels: Dreams, Saturday Nite Soup for the Soul
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