Saturday Soup For the Soul (LONNIE PART TWO
or those of you who read this week's entry and check out the music, you will certainly learn a lot more about me than I have ever revealed, and I am leaving many, many clues, and secret messages buried throughout this post. One piece of music dominated the past week week for me, every waking moment. Must have listened to it one hundred and one times. A comment from KB on last week's Soup got me going on down the line this past week, remembering my first romantic love, the guy I shared it with, and some tramatic emotional events that I never properly reconciled at the time they happened. Let's get down to Saturday's Soup for the Soul (I am unusually hungry this week), and while I am at it, finish the story I began last week, and free my own soul. 1. Sweet Passion is an obscure and extremely rare song (it only exists on vinyl) from the one and the only Queen of Soul, Miss Aretha Franklin. She is beyond genre, beyond categorization. She is Aretha, and that is that. Her voice has extreme range and power that blows all the wanna be diva's off the stage, and out into the parking lot. And yet, unlike today's crop of screechy wailing women who mistakenly think that every song must be raised to a screechy numbing climax, Aretha knows restraint, and uses her power sparingly, hitting you when your guard is down, and knocking you down for the count with one perfectly executed sucker punch. Aretha wrote Sweet Passion, and as is often the case, she is at the keyboards playing chunky piano chords that come from the “sanctified church” (how many of you know what the sanctified church is? Surprise suprise: I do). This song became a mantra for me years ago and then sunk out of site deep into my subconscious. The long ending of this is like a soul chant, where the word “Passion” is the mantra, and the fade creates the impression that this song goes on and on thru time, without end, through all eternity.
Years ago I bonded deeply with this song. It became a mantra of the moment for me, and then sunk out of sight, deep into my subconscious, just as the vinyl LP ended up in a box that I have moved with me for 27 years. . This week the lid got ripped off my memories, and off the the cardboard box, and it all came back to life again, along with my mourning the loss, and the death of my first love, Lonnie. I wanna teach you loving A to Z Bring me right on down to my knees Do it good, baby, do it sweet Your’re my soul mate and I sure am your bee Sweet Passion, Passion, Passion
Lonnie was a very gentle and humble guy. A house painter by trade. Not the least bit intellectual, but as genuine as you could ever want. It is because of him that I like black gospel music, and classic Aretha (1966-1980), and Al Sharpton, and black people in general. I get along extremely well with them and am very relaxed socializing with them. I hope it shows in my eyes, and voice and manner that i absolutely and honor them, and will stand with them should I be called to do so. Yes his effect on my life has been transforming to the core. But it evolved over a long period of time and continued even when he was not a part of my life.
Lonnie had a chaotic upbringing, from what I was able to glean from his few comments. I do not think he ever received any tender attention or affection from either parent (absent father, mother who drank). However he did have two very stable cousins, Bobbie Jean and Ella Mae, the first who was the rock of the family, and of the local African American community at large. It was from her I learned that their family surname was the same Scots-Irish surname as mine, and that we shared common family stories going back to pre civil war Virginia. I was delighted to think that he and I could be distantly related thru my father's side. He did not share me enthusiasm for that possibility. Hey, this was during the time of “Burn Baby Burn”, the Panthers, Angela Davis, and Huey Newton.
I doted on him, probably giving him the tender affection he had never experienced. I made dinner for him (he loved pork chops, gravy, salad, greens which I cannot stand). After dinner we'd go to bed, have sex, play around, watch TV (he loved Here's Lucy -- Lucille Ball being another Leo like him...and my mother...and my father), and then he would go home. He found it very hard to be affectionate in return. Therein lay a problem that proved to be insurmountably fatal. I now realize that he did not konw how to express love and affection. Neither did my own father. Hum...
Walls starting shaking, I heard love crying out
2. All The King's Horses comes from Aretha's 1972 Young, Gifted, and Black LP. It is available on CD. GET IT WHILE YOU STILL CAN. The entire LP/CD is great. Aretha wrote this one, too. And she plays the celeste on it. This particular song, about a relationship gone terribly wring, is one I played over and over and over in spring of 1972.
I remember that terrible cold Sunday night in January 1972. He had gone up to Vancouver, and was late coming over for dinner. I waited for his call until 10:00 PM with a now cold dinner sitting on the kitchen table. He finally called, and I heard it in his voice. I finally asked him point blank if he had met someone else, and he said that he had. Another Bill -- but this one a bleach bottle blow dried blond. (Okay, I never actually met him, Bill might be the nicest guy who ever lived, but my mind is made up so do not try to confuse me with any facts to the contrary). I hung up and cried so hard that I thought I would die. The candles on the kitchen table flared up and burned like bon fires as I heaved my guts out crying. I do not think that I cried this hard again until the night my mother was all but killed by her doctor on April 7th, last year.
(Okay Prince William...so why not tell the whole world? Maybe you can also broadcast this into outer space while you are at it). Hell, I have never even told myself this. I had a complete and total nervous breakdown when we broke up. Shattered into a million pieces. How did I deal with it? I didn't. I did not seek or even consider getting help... (One did not do such things back then, seeking help was for crazy people). I just swept the emotional fragments the best I could under the carpet of the subconscious, and stumbled ahead into my adult life. I turned 20 weeks later (I am a Pisces fish, two of them, swiming opposite directions). The picture above was taken three weeks after we broke up. 3. Today I Sing the Blues is from Soul '69. Some of you younger readers don'tt know the difference between empty wanna be diva posers who top todays' charts, and the real meal deal whose recordings will love on forever. Aretha is the latter. Thsi song is the blues, as only Aretha can perform it. Listen to her line "I didn't know why..." as it slowly soars -- off key and flated, her slowly, painfully, and excruciatingly stretching the time it takes for to actually reach the “correct” note. When she does, she finished the sentence “...I had that sad and lonely feeling, until my baby said we’re though”. Imagine that gap toothed stupid skank idiot Madonna trying to sing this. Lawrence kept coming by my appartment (I had moved twice in four months time) for periodic booty call, which made it all the more worse, and worse, and them MUCH worse for me, until one night in March or April, or May, or June, I exploded at him in a insane rage calling him "a fucking god damned stupid nigger" and throwing him out of my apartment, and out of my life. Not one of my better moments, to say the least. But it happened, and I am if anything, impeccably honest. I was an artist back then. I mean an artist painter, like Tony de Carlo. I think one of the reasons I love his work so much, besides his work just exciting me so much, and my personally enjoying his mind, is that in him, in my fantasies, I see what i might have become had I kept painting. Here is an out of focus pic one of my paintings, a self portrait painted on the "Saint of of Valentines" day that year. So happy (not). A very painful pointing, really. So I got on with my life. Joined a band (vocals, writing, keyboards), and then decided to fall back on my left brain to earn a living. Became a computer programmer, became highly political for the first time in my life, tacking hard to the far right... (Hell, I was doing "Andrew Sullivan gay conservative contrarian" when he was still being butt boy to the priests at Catholic Boys school). ...and I morphed into a much, much, MUCH darker version of my former self. This picture reveals a lot. START HERE I never got to tell him what a massive chunk of my soul had grown from of our brief romantic relationship, and subsequent friendship in the years before I moved away to San Francisco.
3. Treefingers is an obscure song from Radiohead's Kid A CD. This has that winter fog sound -- when you turn off conscious thought and drift into the realm of the sub conscious.
4. and 5. Wholy Holy takes me back to the summer solstice in 1971. I was still a teenager, and enjoying an all day outing in Seattle with a friend, who became my first boyfriend, before the day ended, most romantically, on his living room floor. During the outing, Lonnie bought the first ghetto blaster I had seen: a big portable 8 track tape player. To go along with it, he bought Marvin Gaye's new LP “What’s Going On”. I do not remember much about listening to the LP that day other than the title track. I was totally into rock at that time (though was on the verge of discovering the official homosexual symphony, which I will write about in a future soup post). Lonnie was into soul. I was a highly creative highly intelligent white boy who could not dance. Lawrence (his birth name) was into clothes, fashion, and going out to underage gay dance clubs. I was romantic, affectionate, longing to nest and to marry. Lonnie was into anonymous sex for sex's sake (I did not know this at the time) and later went to bathhouses in Seattle (I think that was several years later). Nothing in common, he and I, except we were both good hearted gay men who for a six month time frame were in a relationship.
But the seeds he planted took root in me, and drove deep to the center of my soul. A part of him will now live on in me, forever and ever until the day I die, and beyond. So I end this week’s soup with Aretha Franklin’s version of Wholy Holy. For those of you who think that I am stridently anti-religious, guess again. I am just full of surprises -- a bit like those Russian nesting dolls, or to paraphrase Winston Churchill, I am "...a riddle, wrapped in a mystery, inside an enigma". Or so I have been told. Once again, someday I shall tell the whole story of Lonnie and I, and of the circumstances of his death.
All of this makes it's way into this week's soup. You can get your 31.2 Mb bowl of Saturday Night Soup for the Soul by clicking the jukebox. |
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